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Meeting MS&T24: Materials Science & Technology
Symposium Scientific Methods in Art, Archeology, and Art Conservation Science
Presentation Title The Egyptian Blues, Part 2: Quantitative Color Measurements
Author(s) Ed Vicenzi, Thomas Lam, Lisa Haney, Julia Esakoff, John Bussey, M. C. Dixon Wilkins, Sam Karcher, Travis Olds, Mostafa Sherif, John McCloy
On-Site Speaker (Planned) John McCloy
Abstract Scope Scientific investigation of Egyptian blue (EB) pigment is motivated by understanding material technology and conserving artifacts, and recently for its interesting and potentially useful optical properties. In this work, we made quantitative visible/near-infrared reflectance measurements on 12 synthesized EB samples, an artifact from the Carnegie, and 7 synthetic color standards. These measurements were deconstructed into their CIELAB color coordinates and compared to phases from X-ray diffraction. High fractions of cuprorivaite result in a lower b* (blue) and higher a* (red), whereas higher values of residual crystalline silica resulted in lower a* (green). Measured color values are found to be strongly affected by phase fractions, pigment particle size, and substrate white balance, particularly evident on the artifacts. Since EB artifacts are always heterogeneous, as are the materials produced in this study, heritage conservation efforts could use these recipes for color matching.

OTHER PAPERS PLANNED FOR THIS SYMPOSIUM

ACerS AACS Anna Shepard Award Lecture: 1954 to 2024: Endurance and Innovation in Anna Shepard's Thin-Section Petrography Approach for Archaeological Ceramics Analysis
Analysis with Scanning Electron Microscopy of a Roman Era Shipwreck Glass
Copper Red Glass from Unterhalb Dornsweg Near Glashütten, Germany: History and Preliminary Findings
Cute Pink Crystals: Using Ceramic Engineering Methods and Instrumentation to Achieve an Artistic Goal
Merging Engineering Science with Glass Art – Recycling of Glass Cullet in the Art Studio – Lessons Learned from an Interdisciplinary Undergraduate Project
Microanalysis of the Composition of Warhol’s Oxidation Paintings
Preserving and Replicating Historical Artifacts
Recreating and Validating 13th Century Methods of Steel Tool Manufacture
Synthetic Basic Copper Chloride Pigments in Korean Buddhist Painting
The Egyptian Blues, Part 1: Phase, Chemistry, and Micro/Nanostructure
The Egyptian Blues, Part 2: Quantitative Color Measurements

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